Tag Archives: taste

Immerse yourself in the emotional impact of fonts, an experience for all the senses

Join me to explore Mood 1 from the Adobe MAX immersive installation.

Put your headphones on and play this while you look at the photos*
Click here to play the sound.

How does it make you feel? What smells and flavours would you pair with this mood?

**

I first came across this weird looking type style in Rob Roy Kelly’s book of American Wood Type 1828–1900. It’s a crazy mashup of three styles: a gothic (sans serif) + tuscan (fancy bifurcated serifs) + Italienne (reverse contrast).

This is Cottonwood, designed by Barbara Lind, Joy Redick, and Kim Buker Chansler. From Adobe Originals.

These photos are from the large-scale multisensory installation I created at the last in-person Adobe MAX at the L.A. Convention Centre in Los Angeles.

Visitors were immersed in the mood of different typefaces through all of their senses. At each station they were invited to put on headphones, to smell a scent in a jar or by flipping the pages of a book, to eat a small taster and to feel a texture. Each set of stimuli was designed to bring a mood to life in the participant’s imagination. There was curiosity and intrigue as the first visitors arrived and they were soon returning with groups of friends saying “you have to try this”.

“The experience that Type Tasting designed for the Adobe Fonts booth at Adobe MAX was such a fun, intriguing way for people to explore how their reactions to fonts relate to other sensations” Dan Rhatigan, Adobe Fonts

Sound designer Rob Taliesin Owen created bespoke sounds and a bespoke scent was created by 4160 Tuesdays. The installation was produced and run with the wonderful Adobe Fonts team.

“Font ‘tasting’, it was awesome! You could smell, hear and taste the fonts”, “F!ing genius!”.

*If the link doesn’t work listen to Suite Punta Del Este by Astor Piazzolla.

“F!ing genius!” Visitors experienced the emotional impact of fonts with an immersive, multisensory installation in L.A.


I’ve been creating immersive and multisensory installations for a number of years now. They’ve been on hold during Covid but plans are now underway for the future. This is the large-scale multisensory installation I created at Adobe MAX at the L.A. Convention Centre in Los Angeles.

Visitors were immersed in the mood of different typefaces through all of their senses. At each station they were invited to put on headphones, to smell a scent in a jar or by flipping the pages of a book, to eat a small taster and to feel a texture. Each set of stimuli was designed to bring a mood to life in the participant’s imagination. There was curiosity and intrigue as the first visitors arrived and they were soon returning with groups of friends saying “you have to try this”.

“The experience that Type Tasting designed for the Adobe Fonts booth at Adobe MAX was such a fun, intriguing way for people to explore how their reactions to fonts relate to other sensations” Dan Rhatigan, Adobe Fonts

Sound designer Rob Taliesin Owen created bespoke sounds and a bespoke scent was created by 4160 Tuesdays. The installation was produced and run with the wonderful Adobe Fonts team.

“Font ‘tasting’, it was awesome! You could smell, hear and taste the fonts”

  • Type Tasting installation at Adobe MAX in Los Angeles

Sarah Hyndman: “Typography can be a tool for positive change”

With the release of her two new books, Design Week speaks to the graphic designer about our annotated world, crossing over into science and why she wants everyone to have the confidence to talk about type.

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When Design Week catches up with Sarah Hyndman, she’s just coming to the end of a week’s stint at this year’s Adobe Max in LA. There, she has designed a multisensory installation in which she asks participants to associate the smell, sound, taste and feel of five different typefaces.

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What does Typography taste like?

Type Tasting pack

At Type Tasting I’ve been posing the question “what would type taste like?” I’ve put together a tasting pack to kickstart the discussion featuring Impact as dark chocolate laced with chilli, Helvetica as plain biscuits and Comic Sans as candy melts with popping candy.

The tasting pack comes complete with a chocolate box style description sheet introducing each typeface along with the suggested flavours. What do you think? What would your favourite typefaces taste like? Details of my suggestions with recipes are below…

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