A day of baking edible fonts for Type Tuesday hosted by Eye Magazine at St Brides on Tuesday April 1st. I’m one of the speakers and I’ll be explaining how my edible type is all about starting conversations about typography around how different fonts evoke associations. I’ll be bringing the freshly baked biscuits with me.
Above is Futura in progress: sweet & brightly coloured cookies, coloured icing if I have time. Below are Baskerville in progress: tea infused biscuits for authentic 1700s flavour, and Helvetica in progress: plain water biscuits with a dash of rosemary & salt. If you have any ideas or comments please join the conversation with @TypeTasting on Twitter.
Top 5 spots for a typographic day out in London
By Sarah Hyndman
1. London Transport Museum
This museum in Covent Garden is crammed with the informative typography that we have used every day for almost a century to navigate our way around the city. The buses and signage date from the 1920s to the present day and sit side by side, enabling us to compare the lettering and how it has changed over the years.
2. Highgate Cemetery
The inscriptions on the gravestones in this beautiful North London cemetery give a view of London’s social history dating back to 1839, with many prominent figures buried there. The lettering to be seen ranges from ornate Victorian script to the typographic simplicity of Patrick Caulfield’s headstone (above). Tours are open to the public all year round.
Blog: What is the future of type? By Sarah Hyndman
‘What is the future of type?’ This is a question that was posed a few weeks ago which prompted a diverse range of responses. The discussion played out via email, Twitter, Design Week and the Creative Review blog and subsequently formed the basis for an event at the St Bride Library.
The main themes that arose included the evolution of type and whether words may ultimately become obsolete as technology and globalisation progress? Physical print is still in demand; independent type foundries are appearing, there has been a resurgence in letterpress, and an Adana press is back in production in Japan. Whether this is a new trend or a final swansong remains to be seen.
Blog: The future of type Thank you to everybody who has participated in the #FutureOfType? discussion via email, Twitter, and those who came along to the evening discussion/workshop at the St Bride Library.
This has turned out to be a big conversation with a range of themes that we are going to continue to explore in more detail. Please sign up to the #FutureOfType? mailing list if you would like updates.
We were having a great time at the St Bride Library ‘Bad Type’ conference after party. Dizzy with happiness after the auction of big piles of Letraset we were inspired to create our own alphabet on the dancefloor.
DISCO: an alphabet created by Steven Gunner, Sarah Hyndman, Sam Mcleod and Nick Watts.