Tag Archives: creative

Mood at MAX multisensory installation

Type Tasting installation at Adobe MAX in Los Angeles

Type Tasting created a large-scale multisensory installation for Adobe Fonts at the Adobe MAX conference in Los Angeles from 2nd to 6th November 2019.

“F*!*ing genius!”

Visitors were immersed in the mood of different typefaces through all of their senses. At each station they were invited to put on headphones, to smell a scent in a jar or by flipping the pages of a book, to eat a small taster and to feel a texture. Each set of stimuli was designed to bring a mood to life in the participant’s imagination. There was curiosity and intrigue as the first visitors arrived and they were soon returning with groups of friends saying “you have to try this”.

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Font Selfie Workshop at the V&A for the London Design Festival

Font Selfie Workshop at the V&A for the London Design Festival
Type Tasting
Saturday 16th and Sunday 17th September
11am to 5pm, free drop in, no booking necessary
Sackler Centre, Victoria and Albert Museum
London Design Festival 2017

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Competition: Have your work featured by Design Week & win a copy of the book

Competition time. Take part in the mash-up typeface challenge for the chance to have your work showcased by Design Week and to win a copy of How to Draw Type and Influence People.

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Typographic Time Machine collection at the V&A

Typographic Time Machine workshop at the V&A #TimeType

Typographic Time Machine workshop at the V&A #TimeType Typographic Time Machine workshop at the V&A #TimeType

By Sarah Hyndman

The Typographic Time Machine collection popped up at the V&A at the weekend and we filled the space with amazing letters. A full blog post will come soon (after the festival has ended), meanwhile here is a glimpse of what happened.

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#LDF13: Ralph Steadman Rebellious Creative

Ralph_Steadman_letterpress

#LDF13: Ralph Steadman Rebellious Creative

Ralph Steadman is one of the most influential and provocative British artists, whose ink splattered style, anarchic wit and characteristic figures are immediately recognisable.

“Some people really deserve a custard pie. If you’re not going to shock or enlighten, I don’t really see the point.” Says Steadman to Vanity Fair

Steadman’s pieces for Type Tasting are created both in his freehand inky style (below), and using woodblock printing letters (above), the double ‘OO’ ligature appears in many of his prints. “I ink the letters by hand roller—drop the paper directly onto the block letter area and get my pet elephant Caxton to roll onto its back— then lovingly push to coax him to roll through 180 degrees across the outdoor grass printing bed—and…….

VOILAA!!!  Done quicker than it takes to place a Trunk Call!!”

rebellious_ralph_steadman_hr

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#LDF13: London =

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#LDF13: London =

A collection of creative typography created for Type Tasting at the V&A with the London Design Festival? Click here to find out more.

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