#LDF13 ‘Hungry’ by Nic Hinton
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London based illustrator and designer Hinton explains that “I chose the word HUNGRY because of the struggle, the ambition, the consumption of London.”
#LDF13 ‘Hungry’ by Nic Hinton
Click on the images to enlarge them.
London based illustrator and designer Hinton explains that “I chose the word HUNGRY because of the struggle, the ambition, the consumption of London.”
#LDF13 ‘Kyverdale’ by Rude
‘Kyverdale’ is the dream home that illustrator and designers Abi and Rupert of Rude have spent the last year building on a plot in Stoke Newington. The house has just been finished and they move in shortly with their two sons BIlly and Herbie. The Type Tasting word is a celebration of their new family home created out of lettering in Rupert’s inimitable style.
#LDF13 ‘Multicoloured’ by JMG Studio
“We had great fun! After much deliberation, we decided that with 13 characters in the word ‘Multicoloured’ and the fact there is 13 different colour tube lines covering the whole of London, it was to much of a good an opportunity to miss. We then overprinted each of the letters to make 12 extra colours to make it truly multicoloured.”
#LDF13: ‘Unique’ by Evelin Kasikov
Kasikov’s eclectic mix of letters is designed in true London style—trash, glam, techno, kitsch, vintage and super-modern all happily mixed together. Each letter is different and unique; one is reminiscent of blackletter, there’s a neon-sign letter and kitsch diamond shapes.The letters are embroidered onto paper.
#LDF13: Getting creative with the London Design Festival and V&A team
We recently took our box of creative materials and words down to the London Design Festival offices for an evening of creative unwinding. Things are getting pretty busy as the Festival is getting closer, the Guide is going to print and the events are being finalised. An evening of making ‘creative London’ words accompanied by cold beer was just what we all needed.
Recently we’ve been featuring some of the words created for Type Tasting with the London Design Festival a the V&A and revealing the creative process behind them. We will continue to do this until the Festival starts, take a look at the features to date…
#LDF13: ‘Underground’ by Maria Cox
Maria Cox chose the word ‘Underground’ because she has an ongoing fascination with this London icon. For her Type Tasting piece she initially looked at fonts with a curve to them and thought about drawing a train running on railway tracks to create the typeface. She came up with the final idea after sketching thumbnails with different ideas of trains and tracks, and playing with the meaning of the word so that part of the word appeared below ground level.
An accident involving a colleague and some spilt ink led to an unscheduled delay (well it is the underground), but we really like the resulting Hitchcockian blood red ink splattered over the ‘Mind the Gap’ warning.
#LDF13: ‘Celebration’ by Bárbara Ana Gómez
#LDF13 ‘Retro’ by Kate Clift
Clift explains that the concept behind the word is as much about the process as the aesthetic. First she letterpress printed the word on an Adana 8×5 press using type made in the 1960s. This was scanned, enlarged and cut out to create a template. Clift then spray painted the fluorescent pink onto 1960s/80s inspired tie dye fabric.
Her piece is influenced by retro from different periods, from the timelessness of letterpress printing through to the more contemporary decades of the 1960s/80s.